Deir El Medina Speech. -- essays research papers

Good morning/afternoon class, Deir el-Medina is one of Egypt's archaeological gems. Located in a little valley on the west bank across from Luxor are the well-preserved foundations of a village that was used for about 500 years during the New Kingdom. Its inhabitants included the workmen and artisans who constructed the New Kingdom royal tombs in the nearby Valley of the Kings. The name Deir el-Medina comes from the Arabic meaning "monastery of the town" because of the presence of a Ptolemaic temple nearby which was once used as a Coptic monastery. I have chosen to speak to you about the architecture in deir el medina. By its final stage approximately 70 houses stood within the village walls and 50 outside. Perhaps 600 people lived here by then. A wall surrounded the village approximately six meters high built of mud-brick. Gates were located at each end. The villages of Deir El Medina made up a special government department under the vizier of Upper Egypt, and were a select largely hereditary group of scribes, quarrymen, stonemasons, artisans, and labourers, who created the final resting place for their divine rulers. Most of the houses in Deir El Medina were built in a standard elongated design, 15 by 5 meters. They had rubble bases and mud brick structures, and shared walls like today’s terrace housing. Each of these houses would have the following features. Down several steps from the street was an entrance room, with niches for offerings, stelae and busts...

Brian Eno Essay

We all know that everything has started to change in music with the recording technology. What we qualified something really important in music in the past, such as history, time and place etc. , today, in a sense, they start to lose their â€Å"value†. Before explaining the idea of Brian Eno, i want to mention what we discuss before him. Previously, we discussed Benjamin, Gould who supported the opposite sides of one point and i think the main point of these discussions is ‘the aura of the music has started to destroy with the recording technology’, accordingly, ‘time and the place’ have started to lose their value too. Of course, Brian Eno discussed the time line, while he was mentioning his idea. Brian Eno is an English musician, composer, record producer, music theorist, singer and visual artist. On his essay, ‘Studio as a Compositional Tool’, he mentions that an artist can start his composition in a recording studio without having any idea about creating his work. In other words, starting a work in scratch , starting a work without an available idea and at this moment ‘the time line’ appears. If an artist has a specific idea to create his work, this idea evolved slowly. So, music comes into exist. In a way, the artist has got a direction and he knows what he can do, and also he can guess the finished product before he starts his composition. By this way, two things become important; the beginning of the work and the end of the work. Time line becomes important in this style of production. On the other hand, Brian Eno approaches it differently. An artist does not have to have a specific idea before going to recording studio, he does not have to carry his idea to the future. He can start to create his work with observing its transformations at the very moment in studio. For this idea, people are not able to know what the product will be in the end. So, the artist has not any concern to assimilate his work to his idea. The product started progress at the moment and it will end up like that. Trying to create a work with an available idea is different from creating a work without any available idea. According to Brian Eno, people do not have to have a specific idea to create a composition. The beginning of the work can give the artists an idea and they can develop it, transform it while observing its progression. The sounds are changing and when an artist listens them, a new idea can come  into his mind and he can intervene in it. It goes like this. There is a thing people are not able to know: the result of this product, just like life. People born, grow up, while they are growing up, they learn something, they make mistakes and they try to fix them, they try to do not make these mistakes again, these actions continue to happen but they do not know what will happen tomorrow. They do not know what happens next. Time passes, time goes on but where it goes? We do not know. In addition to this, do we have to know? I do not think so. While the classical compositions are formed, the artist has an idea in his mind before forming it and the composition is formed with this direction, this idea. In other words, the artist knows what it is going to be at the end. Apart from that, the artist should know the history of music, he is able to play at least one instrument, he should also know writing scores. So, he should know how to transform his idea into object technically but people do not need this. Of course the artist should know something, he has knowledge about music a little bit, but it is not the only thing to create a composition. The artist also must not have idea about his work before starting his work like how classical compositions work. The artist has no idea about the result of his product when he starts his work without any idea. Because of this situation, he does not have any connection with the past. There are only an artist and a studio and this artist tries to produce a product at the moment contrary to classical composition style. â€Å"Being there at this moment â€Å" is really important. While mentioning to create a work at the exact moment, there is a painter , who is Jackson Pallock. Of course, he might have idea, when he painted his paintings but if you look at his paintings, you can easily see the action and it is not possible to decide these ideas before starting to paint. The exact moment is more important than the idea at his works. Here comes again this situation: â€Å"Being there at the moment.† Just like what Eno is doing. He is also affected by him. In classical composition, we can mention the relation between the artist and the product. There is another thing; when an artist started his work with a specific idea, there is a risk to fail because, you have things to compare ,  you have chance to compare your idea and your product. But according to Brian Eno, there is no place for failure because, the artist does not have enough thing to compare, he does not have an idea, he has only product. When classical composition finishes, the performer and the acoustical environment, the concert hall are also affected the composition. By this way, it is so hard to know exactly the idea of the composer. The performer cannot give the feeling or the environment does not give the same sound. With the recording technology, something has started to change in a good way. In recording studio environment, people have chance to interfere in the acoustic environment. Of course there is certain limits but people are able to do it. Because of this situation, the limits are more larger than the times before the recording. People are able to change the sounds with the recording tech, they do not have this chance to do it with their acoustic instruments. On the other hand, many people, who have not enough ability to play an instrument, have chance to make music and this is really good development. Just like, what Brian Eno said: â€Å" I can neither read nor write music, i cannot play any instruments.† The technology makes it possible, makes the limits more larger, gives a change to come into existence for â€Å"different music†. It is so nice, and it is eccentrical. *Music is all around us, all you have to do is listen. *

Memory in The Drowned And the Saved by Primo Levi Essay

Primo Levi, in The Drowned and the Saved, expresses theories of memory. My objective is to prove that Primo Levi’s theories of memory being transitive and selective are correct. I will do this by examining and critiquing not only Levi’s perspective on memory, but also those of other philosophers and psychoanalysts whose work explored the subject. nbsp;nbsp;nbsp;nbsp;nbsp;Writer and chemist, survivor and witness, Primo Levi was born in Turin, Italy, in 1919. Like most Italian Jews of his generation, Levi was assimilated to the hilt: quot;Religion,quot; he later recalled, quot;did not count for much in my family.quot; In 1938, however, his religion of Judaism became a sudden and serious liability. That year, Mussolinis government†¦show more content†¦Myriam Anissimov, author of The Tragedy of an Optimist, explores the complex nature of a man who was both a strong and spirited survivor as well as a man prone to severe depression, a man who felt misunderstood and certain that future generations would forget and deny what many would call the central informing disaster of the century. The biography expresses many of theories on memory and exemplifies a memory in itself; as he bears witness to the past. Primo Levi explores memory in a much deeper fashion than society. The fact that Levi devoted his time to a subject society does not care to pay much attention to, is attractive to me. It is interesting the way Levi presents and supports his theories. For example, Levi argues that memory is selective. Levi then uses the example: â€Å"A person who has been wounded tends to block out the memory so as not to renew the pain; the person who has inflicted the wound pushes the memory deep down, to be rid of it, to alleviate the feeling of guilt.† (Pg. 24) Society encounters wounds everyday, whether mentally or physically. Do you think society is worrying about those wounds becoming memories at a later date? Levi does this because he has experienced what it feels like to have a terrible experience turn into a horrific memory, which is what makes Levi’s writingsShow MoreRelatedThe Drowned and the Saved925 Words   |  4 PagesMay 1, 2010 Holocaust The Drowned and the Saved Primo Levi’s last book, The Drowned and the Saved, not only commemorates his time spent at Auschwitz concentration camp, but also analyzes the situations that happened to him and his fellow prisoners. The book gives sight to what was going on in the lives of all parties involved and how each has evolved into what they are today. The purpose of Levi’s book was for his audience to realize that even in our modern world, something tragic like theRead MoreSummary of Survival In Auschwitz by Primo Levi 1019 Words   |  4 PagesIn Survival In Auschwitz, Primo Levi details his experience of life inside of Auschwitz and as a Holocaust survivor. Levi was a twenty-five year old chemist who was involved in the anti-Fascist movement in Italy. In late 1943, Levi was captured and sent to Auschwitz, where he stayed for the remainder of the war. Survival in Auschwitz is a bitter account, drenched and coated in pain, hunger, and cold. Prisoners are gradually dehumanised into Haftling e who are only concerned with their own existenceRead MoreEssay on The Holocaust: The Concentration Camps1484 Words   |  6 Pagesdestuction of humanism, which is the most important mission of the society after World War II. There are many sources of Holocaust trying to best uncover the truth, such as the inhabitant’s experience of the immediate suffering in the camp, fragment memories from the survivors. However, only the analyzations with critical sights of these horrible actions will appeal for just humanitarian attentions to the most extent. Inhabitant’s experience of the immediate suffering in the camp simply describes